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Bassline of the week "Never Too Much"

I must be on an 80s R&B kick. This Luther Vandross tune has been on repeat lately.  Luther wrote the bass part and that is Marcus Miller playing.  Marcus has such a distinct, clear sound and it's been great to explore more of Marcus' music lately.
This is another essential slap and pop bass example.  Plenty of space around the notes.  This song has a lot of great breaks, which only add to the funk!





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Bassline of the week!

 I heard this song on a run today and realized what a great bass part it has.  That's Tina Weymouth from  Talking Heads' playing on "Born Under Punches."  Tina, in my opinion, is a consistently underrated bassist.  She really has such a minimalist style. This bassline does exactly what it needs to and nothing more, simple and effective.  It definitely gets bonus points for being in such a quirky time signature as well!  She also uses space and air between notes to provide extra, er, punch.   It's such a strange song frankly, with typical Talking Heads bizarre lyrics, seemingly random guitar licks and synth for that matter. Tina's part could've fallen through the cracks and her slap-and-pop style on the track helps the bass break through the mix a bit. This song is a great example of bass parts that just groove and are perfect in their simplicity.  Enjoy and thanks for reading!