Finally got up the gumption to go up to Snake Creek Gap for some hardcore mountain biking after hearing about how treacherous it was for a year. The treachery wasn't overstated. It was like battling for 30 minutes just to go 100 yards. Rocks the size of goat heads for a solid mile it seemed. First half hour on the trail was spent exploring what turned out to be non-biking trails. I finally found the proper Pinhoti trail after hiking up an awful ridge up to the radio towers (next time take the gravel road up.) Now onto to some rolling ridgeline singletrack! I started to grin at this point but it didn't last long. Next was the infamous mile-long section of rocks. This is the most technical biking I've ever done. It was rough going but oddly toward the end of the day when I was really tired, I was biking over this technical stuff with more skill. After this was more technical downhill and climbing. So much unending climbing out there it seemed. A lot of hike-a-bike. I dismounted probably 100 times today and cursed about 50 times. I only made it to Hurricane Mtn, about 6 miles from the beginning, then decided it was time to double back before getting out too far. Good thing because I bonked pretty hard. I am curious to see the rest of Snake Creek, maybe one day. I was elated to be back at the car. Glad to be done but couldn't wait to get back out there.
I heard this song on a run today and realized what a great bass part it has. That's Tina Weymouth from Talking Heads' playing on "Born Under Punches." Tina, in my opinion, is a consistently underrated bassist. She really has such a minimalist style. This bassline does exactly what it needs to and nothing more, simple and effective. It definitely gets bonus points for being in such a quirky time signature as well! She also uses space and air between notes to provide extra, er, punch. It's such a strange song frankly, with typical Talking Heads bizarre lyrics, seemingly random guitar licks and synth for that matter. Tina's part could've fallen through the cracks and her slap-and-pop style on the track helps the bass break through the mix a bit. This song is a great example of bass parts that just groove and are perfect in their simplicity. Enjoy and thanks for reading!